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Generally, we’d rehearse in two four-hour chunks, but the second half of the day often ended early, as we all got tired and distracted.Plus, since Eli and I were crafting the show, we often needed time after rehearsal to hash out ideas, edit songs, mix/master music, and lay down tracks.
In the past few months, I’ve been working on a number of new projects.
Some are running, some are closed, and some are upcoming!
Bekah Brunstetter’s play about two death and heaven was a challenge for me, but I’m very happy with the result — In April, I produced a workshop of two new plays by Tira Palmquist, Smoke Front and Fire Road, which were presented telematically, in real-time, over the Internet — In May, I co-produced a six-channel sound-art installation, which featured a concert series and a symposium on multichannel sound.
The Center For Interesting Noises also premiered my composition ‘Infinitette.’ — Most recently, I designed Barrington Stage Company’s production of ‘Kimberly Akimbo,’ which marks ten years since I first worked with them and with director Rob Ruggiero.
In March, I opened a funk musical that I scored in socal.
Clown Aliens is a piece that I’ve been developing for a few years now, and I was glad to see this production! In April and May, I worked on the world premiere of a play called Actually at the Geffen Playhouse.In the meantime, I’m taking some time off with my family, working on home projects, and enjoying a bit of a break.Last week, the Los Angeles Ovation Awards were held in downtown LA.Congratulations to everyone at the Geffen, especially Randy and Gil!And to the entire creative team (Gio, our director, Ramiz and Raffi, our actors, Tom, Lap, and Denitsa, the visual designers, and Maggie, our stage manager)!Last autumn, I opened Clovni Extraterestri (Clown Aliens) at the National Theatre of Romania, in Cluj.CE is my first full-on musical; I wrote the music and created the sound design. I’ve just finished mixing some board recordings, so I’m finally able to share some of the content here.Through it all, the littlest clown, Baby Clown, misses their Mother Clown, who didn’t make the trip (presumably lost in space? The music is a balance of folk and funk, and was primarily performed by Ada Milea, one of Romania’s national musical treasures.Milea is a gifted singer and guitarist, and she performed in the character of a homeless bum who has wandered into the theatre.When they land on Earth, they have to make a life for themselves.Some clowns want to hold on to their clown identity, but others are quick to integrate into human culture.