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Just keep applying ink until you reach your desired color. I added more ink to darken up some areas just to make it look more interesting.

Experiment #3: I used the same supplies for this one as I did in #2.

The Swirls Cuttlebug embossing folder, a brayer, and a Fruitcake Kaleidacolor ink pad.

Once fully inked, I put the white cardstock in, and ran it through the Cuttlbug. The ink does not get down into the detail, which is what ends up raised. To color what was left white I just ran my brayer over the paper directly.

For this one I didn't even re-ink it, there was still plenty of ink on my brayer and I didn't want it to be darker than the background. I have noticed in some of the samples I have seen online that they seem to be done with two colors of ink.

I started by brayering the ink directly onto the embossing folder.

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Notice that I am doing it on the side of the folder that has the Cuttlebug name printed on it.In doing so, the public started to conceive truth not from what they saw, but from what journalism fed them.Lippman argued that though journalists were efficiently disseminating information, the issues that they featured failed to give a comprehensive view on the real state of society.Since I don't subscribe to the newsletter and have only seen samples made using this technique, I decided to do a little bit of an experiment to see what I could come up with on my own.All of my experimenting was done on plain white cardstock.On the contrary, product-centered campaigns use the affective approach because the audience must think only in terms of acceptance or rejection.Since the goal is to “set” the choice that they want the public to make, it is imperative that these choices are laid out attractively.This control over the selection of content discussed in the media is known as gatekeeping.After inducing the public on what to talk about, mass media delves even further by suggesting how they should think about it.It further implies that the amount of time that news organizations allot for an issue is directly proportional to the level of involvement that the audience will have towards the issue being featured.Dissatisfied by the propositions of the early theories in the effects tradition (e.g.

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